MARIA ZERRES

Installation view, permament installation, SEPTEMBER ELEVEN, 2001, Ayn Foundation, Marfa, USA

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Installation view, permament installation, SEPTEMBER ELEVEN, 2001, Ayn Foundation, Marfa, USA

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Installation view, permament installation, SEPTEMBER ELEVEN, 2001, Ayn Foundation, Marfa, USA

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Installation view, permament installation, SEPTEMBER ELEVEN, 2001, Ayn Foundation, Marfa, USA

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Exhibition view, solo exhibition, Considering Dynamics and the Forms of Chaos, Sharjah Art Museum, Sharjah, UAE, 2016 from left to right: DEER, 1995; COELIN 1-4, 1995; ZEBRA, 1995, Courtesy the artist and Galerie Brigitte Schenk

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Exhibition view, solo exhibition, Considering Dynamics and the Forms of Chaos, Sharjah Art Museum, Sharjah, UAE, 2016 from left to right: RAMALLAH 1,1991; RAMALLAH 2, 1991; RED CARPET RIOT, 1991; RAJASTHAN, 1991; RAMALLAH 3, 1991; Courtesy the artist and Galerie Brigitte Schenk

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Exhibition view, solo exhibition, Considering Dynamics and the Forms of Chaos, Sharjah Art Museum, Sharjah, UAE, 2016 Angela Bulloch, HEAVY METAL STACK RED, CARDBOARD AND BLUE, 2015, Courtesy Galerie Micheline Szwajcer, Brussels

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Exhibition view, solo exhibition, Considering Dynamics and the Forms of Chaos, Sharjah Art Museum, Sharjah, UAE, 2016 from left to right: DEER, 1995; COELIN 1-4, 1995; ZEBRA, 1995, Courtesy the artist and Galerie Brigitte Schenk

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Exhibition view, solo exhibition, Maria Zerres - Dylan Paintings, 2011, exhibition project during Venice Biennial of DASMAXIMUM, KunstGegenwart, Traunreut, Germany and Galerie Brigitte Schenk

from left to right, THE GHOST OF ELECTRICITY, 2004-07; NAME ME SOMEONE THAT'S NOT A PARASITE, 2004-07; FORTUNE TELLER, 2004-07; GIRL FROM THE NORTH COUNTRY, 2004-07

 

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Permanent installation, DASMAXIMUM, KunstGegenwart, Traunreut, Germany

Courtesy DASMAXIMUM, KunstGegenwart